Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, unsettling grey palette, ghostly crowd of faces dissolving into swirling textured shadow
Rich golds yellows blues and purples in bold vertical painterly forms flanking the figure. Vivid and immediate. The figure stands in a surround of pure colour energy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, amid expressive columns of gold, violet, and cobalt painted light
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Warm sepia and grey-brown tones over a heavily layered textured surface. The background generates dark flanking forms that read like weathered or torn paper. The figure feels retrieved from an aged document rather than a contemporary image.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, retrieved from deteriorating parchment, sepia-toned with torn-edge shadow forms
Warm peach gold and dusty mauve fragments spiral behind a coherent figure. Background generates strong rotational energy — almost kaleidoscopic. Figure holds while the surroundings dissolve into motion. Energetic and flattering to warm sources.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, vibrant warm-toned abstraction with spinning dusty mauve and golden peach background motion
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painterly composition with dark border framing and cool sculptural tones
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in a romantic painterly style with abstract roses, cool crystal tones, and luminous warmth
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, shattered into towering angular planes of cream and red-brown, cubist and architecturally imposing
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, muted watercolour ground with dark looming corners and blush accents
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, pale blue ground, strong contour line and warm flesh tones in classical figure style
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in vivid broken-color fragments—golden ochre and cobalt—light and celebratory