Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, warm red cubist fragmentation, faceted planes revealing structure
Cool grey with a prominent marble or stone form behind the figure. Elegant and architectural. The figure is framed rather than consumed by the background.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, elegant stone backdrop in cool grey, figure distinctly framed against structured form
Deep blue with dramatic white sculptural forms in the background. The figure feels lit from within against a cool dramatic surround. Striking and cold.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, cold dramatic lighting with an inner glow against dark blue surrounds
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, shattered ice facets refracting form into cold angular fragments
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, soft cream background with rounded decorative shapes in earthy rust tones, ornamental and warm
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, bold flanking figures in deep charcoal and pink, intimate and confrontational oil style
Pale ice blue and dark brown in large flat geometric planes — the figure shattered into cool angular fragments. Background dissolves into the same fractured geometry. Stained glass or broken mirror quality throughout. Cool and precise with real graphic authority.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, fractured angular planes of cool blue and brown dissolve figure into crisp geometry
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, dramatic chiaroscuro in near-black and icy white, organic shadows framing a glowing centre
Large rounded geometric planes in mid blue pale blue-grey cream and warm taupe cover the entire surface in a cool confident mosaic. Figure painted in the same cool tones fully integrated into the ground. Structured and architectural with a glazed ceramic quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, bold rounded shapes tile the surface in confident mid-blue, blue-grey, and warm taupe
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes
Near-white ground with sparse irregular dark forms in grey-brown and warm taupe scattered at the edges and base. Figure painted in warm flesh tones with precise dark line standing clearly in the open white field. Bright airy and uncluttered.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, astonished, tight cropping, sparse ink forms in grey-brown and taupe framing a bright airy white field