Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in angular red color planes with cubist geometry
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in cool grey tones with swirling marks and ghostly layered faces
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in dense crosshatched ink with engraving-like precision and swirling figurative forms
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in cool blue-grey cubist planes with warm flesh tones as the sole contrast
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in cool lavender and silver with silky cascading texture and warm iridescent glow
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in high-contrast crumpled paper texture with bold graphic shadows
Deep cobalt blue borders frame a cool interior of angular rock or ice forms in blue and white. Figure is warm against the cold stone surround. Painterly and dramatic rather than photographic. The cobalt frame gives this style a distinctive compositional signature.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in deep cobalt-framed painterly blues with angular ice-like forms
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Entire surface built from fine regular dots in warm peach cream terracotta and cool blue giving the image a needlepoint or petit point textile quality. Cool blue border frames the composition. Figure reads through the dot structure with warmth and intricacy.
Portrait from behind, eye contact, nude, statement jewlry, smiling, tight cropping, rendered in fine needlepoint dots of peach, cream, terracotta, and cool blue