Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, loose impressionist technique, glowing with pinks, greens, and blues
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, etching-style crosshatch traces every contour with obsessive, engraving-like intensity
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, earthy cobblestone surface, figure integrated into rounded relief forms
Cool grey with ghostly watching faces filling the background. Unsettling and distinctive. Similar to Ghost Crowd but painterly rather than graphic.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, painterly grey composition filled with eerie ghostly faces receding into the background
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, bold colour blocking in ochre and blue on a broken white ground, immediate and gestural
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, large cracked plaster surfaces, light-filled yet substantial with cool-toned depth
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, painterly composition with dark border framing and cool sculptural tones
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, soft naturalistic palette of weathered stone with warm confident figure
Bright cerulean blue upper ground with large pale grey-taupe sculptural forms flanking the figure like twisted columns or sentinel presences. Figure painted in warm flesh tones against the vivid blue. Theatrical and architectural — the flanking forms give every subject a dramatic escort.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, dramatic architectural staging in cerulean blue with pale sculptural presences
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, in vivid broken-color fragments—golden ochre and cobalt—light and celebratory