Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, warm creamy palette, fine textile texture, gentle flowing shapes filling the composition
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, strong linear style with flat pink fills and rocky cloud forms in pale grey
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, warm palette pop-art style with tiled figure reflections filling the background
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, surreal warm-toned figuration with echoed body shapes and enveloping shadow surround
Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, in an open, uplifting style of pale blue and white cloudscapes with luminous rounded forms
Dark purple and charcoal with frantic swirling forms closing in around the figure. Background generates restless spiralling marks with a distinctly unravelling energy. Figure holds but the surround feels genuinely unstable. Moody and slightly alarming.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, moody dark palette with restless spiralling marks closing in around the subject
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, dramatic chiaroscuro in charcoal and purple with scattered leaf motifs
Cool blue and pale grey with large flowing folded forms filling the background — billowing fabric or soft drapery rendered in fluid organic shapes. Figure painted in warm flesh tones with blue-grey overlay. Lighter and more structured than Ashen Chaos — cool and considered.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, cool-toned drapery in soft organic folds, warm figure under a blue-grey veil
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, pale blue ground, strong contour line and warm flesh tones in classical figure style
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, luminous cubist planes in blue, cream, and confident warm tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, painted in confident, kinetic mark-making of cool grey-white across the whole surface
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, dramatic marbled contrasts with sweeping dark forms and glowing pale center