Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in angular red color planes with cubist geometry
Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, in warm painterly tones against cool grey-blue stone
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in cool lavender and silver with silky cascading texture and warm iridescent glow
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in warm ivory tones with ghosted figures drifting through the background
Near-black ground with slashing crimson and deep red forms flanking the figure. Figure is pale and exposed against the dark threatening surround. Darker and more menacing than Crimson Stage — the black dominates with red as accent. Dramatic and confrontational.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in near-black with slashing crimson accents, dramatic and confrontational
Deep teal and pale ice blue in large swooping curved geometric planes. Figure integrates into the geometry in matching teal tones — bold and unified. Confident and striking — one of the more elegant geometric styles in this range. Cool and immediately commanding.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in bold sweeping geometric planes of deep teal and ice blue
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Warm brown-ochre surround with elaborate white marble sculptural forms filling the background — baroque fountain or ornate palace relief with faces and figures visible in the carved masses. Figure stands in warm flesh tones against the opulent white marble. Grand and slightly overwhelming.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in warm ochre tones against elaborate white baroque marble relief
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait of a partially dressed subject with arms up, eyes closed, body canted, street clothes, arms up, tight cropping, rendered in swirling dark marble veining against a pale luminous ground