Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, painted in soft impressionist strokes of blush, sage, and sky
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in cool grey tones with swirling marks and ghostly layered faces
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in dense crosshatched ink with engraving-like precision and swirling figurative forms
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in fractured geometric planes of cool blue, crystalline and sharp
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in warm ivory tones with ghosted figures drifting through the background
Near-black ground with slashing crimson and deep red forms flanking the figure. Figure is pale and exposed against the dark threatening surround. Darker and more menacing than Crimson Stage — the black dominates with red as accent. Dramatic and confrontational.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in near-black with slashing crimson accents, dramatic and confrontational
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in smooth river-worn stone tones of blue-taupe and pale rose
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in thick impasto with cobalt depths and explosive golden light
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice