Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, warm red cubist fragmentation, faceted planes revealing structure
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, monochrome cubist facets, figure and ground merged in cool grey
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, dense honeycomb pattern in amber tones with graphic white forms
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, fragmented angular geometry in icy tones, figure dissolved into precise crystalline forms
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, graphic ink illustration with bold contours and dusty pink form shadows
Warm rose salmon and pale blue with tall vertical draped forms flanking the figure — fabric-like curtains in soft warm tones. Figure merges with the vertical surround in matching warm flesh. Cool blue edges frame the composition. Elegant and quietly theatrical.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, painted with salmon flesh tones merging into fabric-like curtains framed by cool blue edges
Cool blue silver and white with tall draped figurative forms flanking the central figure — statuesque sentinels in pale marble tones. Figure stands between the cool pale presences. Elegant and ceremonial rather than threatening. Classical in feel with a distinctive flanking composition.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, pale blue-silver palette with draped sentinel forms framing a central figure ceremonially
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, cool glowing masses float in near-black space with warm figure contrast
Bright cerulean blue upper ground with large pale grey-taupe sculptural forms flanking the figure like twisted columns or sentinel presences. Figure painted in warm flesh tones against the vivid blue. Theatrical and architectural — the flanking forms give every subject a dramatic escort.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, flanked by twisted column-like sentinels in warm theatrical tones against bright blue
Entire surface broken into large irregular polygonal planes in cream warm white taupe and soft brown with dark contour lines defining each fragment. Figure fully integrated into the pale fragmentation. Clean graphic and architectural like a stained glass window drained of colour.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, fragmented into irregular polygonal planes, pale and architectural, like colorless stained glass
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, painted in hot fauvist tones where figure dissolves into blazing streaked color fields
Large irregular pale grey-white forms suggest rough-hewn rock faces receding behind the figure. Cool blue ground visible between the forms. Figure painted in warm flesh tones standing clearly against the pale rocky ground. The figure commands the space with quiet authority.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, painterly rocky backdrop in cool blues and pale greys contrasting warm figurative tones