Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, bold angular planes in warm reds, cubist faceting of form
Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, in decisive graphic planes of red and white, black-outlined and boldly fragmented
Rich charcoal tones blending from deep black into pale white through smudge and atmosphere. The figure emerges from the ground rather than sitting on it. Dramatic but still.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, dramatic charcoal work, form emerging from darkness through layered smudge and tone
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, strict angular planes, no colour, figure folded into geometric surfaces
Cool grey-brown with tall dark arched panels flanking the figure. The panels carry circular rivet-like forms giving the background a strong industrial character. Stark and architectural with a mechanical edge.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, cool grey-brown tones, tall riveted panels, stark geometric industrial aesthetic
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, figure in warm tones emerging from an archaeological ground of text-like markings
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, sharp print-like treatment with warm figure against intense geometric shadow play
Warm rose salmon and pale blue with tall vertical draped forms flanking the figure — fabric-like curtains in soft warm tones. Figure merges with the vertical surround in matching warm flesh. Cool blue edges frame the composition. Elegant and quietly theatrical.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, depicted in quietly theatrical drapery, warm vertical forms blending figure and surround
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, soft naturalistic palette of weathered stone with warm confident figure
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, deep cool palette, blazing backlight, monumental dark shapes converging on a luminous threshold
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, painted in confident, kinetic mark-making of cool grey-white across the whole surface
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a nude subject with arms up, eye contact, body square, arms up, subtle jewelry, traditional bust cropping, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground