Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in angular red color planes with cubist geometry
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in warm earth tones with painterly classical technique
Warm grey with a rich background of swirling rounded forms. The figure and background share the same sculptural language. Substantial and considered.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in warm grey tones with swirling sculptural forms and a unified, weighty presence
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in stark black and white with bold architectural shadows
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in cool blue-grey tones with stark white backlighting and sweeping dark forms
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in bold, unified brushwork of cool blue-grey and white
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in swirling dark marble veining against a pale luminous ground
Near-white ground with sparse irregular dark forms in grey-brown and warm taupe scattered at the edges and base. Figure painted in warm flesh tones with precise dark line standing clearly in the open white field. Bright airy and uncluttered.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, painted in warm flesh tones with crisp ink lines on an open white ground
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, very tight cropping, rendered in bold crimson-rose lines on near-white with graphic fashion illustration confidence