Warm grey with a rich background of swirling rounded forms. The figure and background share the same sculptural language. Substantial and considered.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in warm grey tones with swirling sculptural forms and a unified, weighty presence
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in stark black and white with bold architectural shadows
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in fractured geometric planes of cool blue, crystalline and sharp
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in warm ochre and stone hues with architectural framing
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in cool grey tones with glowing teal-cyan contour lines
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in luminous sky blues with billowing rounded cloud forms in white and pale blue
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in thick impasto with cobalt depths and explosive golden light
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a partially dressed subject with arms up, eye contact, body square, lingerie, arms up, traditional bust cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground