High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in stark black and white with bold architectural shadows
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Cool grey with ghostly watching faces filling the background. Unsettling and distinctive. Similar to Ghost Crowd but painterly rather than graphic.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, painted in muted grey tones with ghostly faces looming in the background
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in warm ochre and stone hues with architectural framing
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, in a loose painterly style with chunky brushwork and cool blue-grey tones
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in cool blue-grey tones with stark white backlighting and sweeping dark forms
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in explosive gestural brushwork with saturated drips bleeding through molten ground
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice
Near-white ground with sparse irregular dark forms in grey-brown and warm taupe scattered at the edges and base. Figure painted in warm flesh tones with precise dark line standing clearly in the open white field. Bright airy and uncluttered.
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, painted in warm flesh tones with crisp ink lines on an open white ground