Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in angular red color planes with cubist geometry
Clean pencil sketch with swirling organic forms in the background. Adds draftsmanship without imposing character.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in clean pencil sketch with flowing organic linework in the background
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in stark black and white with bold architectural shadows
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in faceted grey geometric planes, angular and precise
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in high-contrast crumpled paper texture with bold graphic shadows
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Cool blue-grey stone walls with large pale rock forms catching light behind the figure. Floor reads as dark slate. The figure stands in a rocky alcove or cave interior — cool and substantial. One of the more convincingly geological grottos in the set.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in cool blue-grey stone tones with pale rock forms catching raking light
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Deep navy border framing fractured rock-like forms in cool blue-grey and white with vivid scarlet accents. Figure painted in warm flesh tones with red shoes that match the mood exactly. Bold and theatrical — this style turns everything up.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in dramatic navy and scarlet with fractured, sculptural brushwork
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Cool cream and white ground with strong vertical streaks in deep blue-grey and teal that read like frozen cascades or dripping ice. Figure rendered in the same cool palette with deep shadow and quiet intensity. Large dark organic forms flank the composition like drawn curtains.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in cool creams and blue-grey with vertical streaks like frozen cascades
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a subject eyed averted with arms behind, nude, arms behind, very tight cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground