Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in bold graphite on dark ground with dramatic sweeping strokes
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painted in soft impressionist strokes of blush, sage, and sky
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in stark black and white with bold architectural shadows
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in dense crosshatched ink with engraving-like precision and swirling figurative forms
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in faceted grey geometric planes, angular and precise
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in warm ochre and stone hues with architectural framing
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in cool blues and warm painterly strokes with vignette framing
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in pale cream and warm rose with stippled newsprint texture
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice