Abstract impressionist nude artwork — Portrait 6081 rendered across multiple artistic styles.
Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in angular red color planes with cubist geometry
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in warm earth tones with painterly classical technique
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in bold graphite on dark ground with dramatic sweeping strokes
Pale ground with bold simplified planes and swirling organic forms in the background. The figure becomes sculptural. Clean and immediate.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in bold simplified planes with swirling organic forms on a pale ground
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in faceted grey geometric planes, angular and precise
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in pale fractured plaster, cool shadows adding sculptural depth
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, painted in warm flesh tones set against cool grey fractured stone, naturalistic and raw
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in warm cubist facets of cream, taupe, and deep red-brown with bold architectural planes
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground