Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, luminous impressionist style with pale floral tones and delicate brushwork
Rich golds yellows blues and purples in bold vertical painterly forms flanking the figure. Vivid and immediate. The figure stands in a surround of pure colour energy.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, surrounded by bold vertical strokes of pure luminous colour energy
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, monochrome cubist facets, figure and ground merged in cool grey
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, precise faceted background in cool quartz-like fragments framing warm flesh tones
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, fragmented angular geometry in icy tones, figure dissolved into precise crystalline forms
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, clean graphic figure against fractured stone-like angular planes in pale grey tones
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, bold flanking figures in deep charcoal and pink, intimate and confrontational oil style
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, fragmented through crystalline geometric forms in earthy tones, structural and monumental
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, cool glowing masses float in near-black space with warm figure contrast
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, pale dotted brushwork dissolved into high-key summer light, figure and sky sharing the same haze
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, traditional bust cropping, clean decisive linework on azure ground, draped forms in elegant dark outline