Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, bold angular planes in warm reds, cubist faceting of form
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, loose impressionist technique, glowing with pinks, greens, and blues
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, unsettling grey palette, ghostly crowd of faces dissolving into swirling textured shadow
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Fine mosaic tessera texture over pale grey-white stone forms flanking the figure. The surface maps figure and background in the same fragmented material. Cool and tactile with an archaeological quality.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, archaeological mosaic surface, tactile tessera fragments mapping form in cool broken stone
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, large cracked plaster surfaces, light-filled yet substantial with cool-toned depth
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, cool analytical cubism with monochrome planes broken by warm skin tones beneath a rounded arch
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, sharp alpine geometry in dark silver and blue, contrasting with richly painted warm tones
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, theatrical oil painting style with stormy cobalt and bursting warm gold
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, muted watercolour ground with dark looming corners and blush accents
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, organic botanical style, pale open surround with loose dark linear marks
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of nude subject with averted eyes, facing downward, body canted, statement jewlry, tight cropping, deep cool palette, blazing backlight, monumental dark shapes converging on a luminous threshold