Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, bold angular planes in warm reds, cubist faceting of form
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, integrated figure and landscape in warm browns, painterly realism
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, loose impressionist technique, glowing with pinks, greens, and blues
Pale lavender and grey with bold sweeping ribbon-like forms in the background. Soft but dynamic. The figure stands in a swirl of delicate movement.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, delicate lavender tones with bold flowing ribbons creating a sense of gentle movement
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, strict angular planes, no colour, figure folded into geometric surfaces
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, figure in warm tones emerging from an archaeological ground of text-like markings
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, pale, structural rendering with angular faceted planes and sharp geometric precision
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, theatrical oil painting style with stormy cobalt and bursting warm gold
Cool cream and white ground with strong vertical streaks in deep blue-grey and teal that read like frozen cascades or dripping ice. Figure rendered in the same cool palette with deep shadow and quiet intensity. Large dark organic forms flank the composition like drawn curtains.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, deep blue-grey organic forms frame a cool, shadow-rich composition with quiet intensity
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, deep cool palette, blazing backlight, monumental dark shapes converging on a luminous threshold
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, traditional bust cropping, in brooding theatrical impasto, dark swirling forms framing pale light