Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in angular red color planes with cubist geometry
Dissolves the source into pointillist scatter on a pale ground. Warm earth tones of cream rust and burgundy. The figure is readable but barely — features survive as suggestion rather than form.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in warm pointillist scatter of cream, rust, and burgundy on pale ground
Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, in bold red and white geometric planes with black outlines and cubist fragmentation
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in warm gold halftone dots with bold white cutout shapes
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in high-contrast crumpled paper texture with bold graphic shadows
Cool cerulean blue and cream in large flat geometric planes. Figure is warm against the cool blue geometry — a clean warm-cool contrast. Elegant and graphic rather than sensuous. Background generates smooth rounded geometric forms in deep and pale blue.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in flat cerulean and cream geometric planes with clean warm-cool contrast
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in warm cubist facets of cream, taupe, and deep red-brown with bold architectural planes
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Pure black ground with shattered mirror or glass fragments flying outward from the figure in cool silver-white. Figure stands at the centre of the explosion in pale silver tones. Cinematic and high contrast — one of the most dramatically distinctive styles in the set.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in explosive silver-white shards against pure black, cinematic and high contrast
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Portrait of nude subject with averted eyes, facing aside, body from the side, traditional bust cropping, rendered in explosive gestural brushwork with saturated drips bleeding through molten ground