Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in angular red color planes with cubist geometry
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Cool grey with ghostly watching faces filling the background. Unsettling and distinctive. Similar to Ghost Crowd but painterly rather than graphic.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, painted in muted grey tones with ghostly faces looming in the background
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in cool grey and blue-white angular stone planes, precise and architectural
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in cool blues and warm painterly strokes with vignette framing
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in pale cream and warm rose with stippled newsprint texture
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in warm cubist facets of cream, taupe, and deep red-brown with bold architectural planes
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in thick impasto with cobalt depths and explosive golden light
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, statement jewlry, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones