Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in angular red color planes with cubist geometry
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in cool grey tones with swirling marks and ghostly layered faces
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in faceted grey geometric planes, angular and precise
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in warm ochre and stone hues with architectural framing
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, painted in warm flesh tones set against cool grey fractured stone, naturalistic and raw
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in thick impasto with cobalt depths and explosive golden light
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, statement jewlry, traditional bust cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice