Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Kneeling, eye contact, kneeling, nude, tight cropping, bold angular planes in warm reds, cubist faceting of form
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Kneeling, eye contact, kneeling, nude, tight cropping, powerful dark-ground graphite technique with bold gestural strokes
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Kneeling, eye contact, kneeling, nude, tight cropping, stark monochrome with controlled shadow and geometric structure
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Kneeling, eye contact, kneeling, nude, tight cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Kneeling, eye contact, kneeling, nude, tight cropping, cubist planes of glacial blue splinter the figure into icy geometry
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Kneeling, eye contact, kneeling, nude, tight cropping, strict angular planes, no colour, figure folded into geometric surfaces
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Kneeling, eye contact, kneeling, nude, tight cropping, painted with broken brushwork, cool palette, figure dissolving into textured ground
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Kneeling, eye contact, kneeling, nude, tight cropping, quietly decorative style with fluid organic motifs in terracotta against a near-white surround
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Kneeling, eye contact, kneeling, nude, tight cropping, soft stippled halftone feel in blush and cream, delicate and print-like
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Kneeling, eye contact, kneeling, nude, tight cropping, sharp alpine geometry in dark silver and blue, contrasting with richly painted warm tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Kneeling, eye contact, kneeling, nude, tight cropping, pale blue ground, strong contour line and warm flesh tones in classical figure style
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Kneeling, eye contact, kneeling, nude, tight cropping, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground