Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in angular red color planes with cubist geometry
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in stark black and white with bold architectural shadows
Cool silver and white impasto on a near-black ground. Bold painterly strokes carve the figure from darkness with monumental conviction. The background generates a deep black void with faint reflected light at the base.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in thick silver and white impasto against near-black, with bold sculptural strokes
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in faceted grey geometric planes, angular and precise
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in warm ochre and stone hues with architectural framing
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in high-contrast crumpled paper texture with bold graphic shadows
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in warm ivory tones with ghosted figures drifting through the background
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in bold crimson-rose lines on near-white with graphic fashion illustration confidence
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in dense impasto strokes of grey-white and deep burgundy