Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in angular red color planes with cubist geometry
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in warm earth tones with painterly classical technique
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in cool grey tones with swirling marks and ghostly layered faces
Warm grey with a rich background of swirling rounded forms. The figure and background share the same sculptural language. Substantial and considered.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in warm grey tones with swirling sculptural forms and a unified, weighty presence
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in stark black and white with bold architectural shadows
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in dense crosshatched ink with engraving-like precision and swirling figurative forms
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Large rounded geometric planes in mid blue pale blue-grey cream and warm taupe cover the entire surface in a cool confident mosaic. Figure painted in the same cool tones fully integrated into the ground. Structured and architectural with a glazed ceramic quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in cool geometric planes of blue, grey-cream, and taupe with ceramic-glazed depth
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground