Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in angular red color planes with cubist geometry
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in cool grey tones with swirling marks and ghostly layered faces
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in fractured geometric planes of cool blue, crystalline and sharp
Warm flesh tones with strong painterly modelling against a cool teal-grey ground. The background generates a bold white cloud-like or glacial mass behind the figure. High contrast and corporeal with a sense of cool open light.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in warm oils with bold painterly modelling against a cool teal-grey ground
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in warm ochre and stone hues with architectural framing
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in warm ivory tones with ghosted figures drifting through the background
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in pale cream and warm rose with stippled newsprint texture
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in smooth river-worn stone tones of blue-taupe and pale rose
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in thick impasto with cobalt depths and explosive golden light
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in bold dark contour line on pale blue ground with warm flesh tones
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of partially dressed subject making eye contact, body canted, lingerie, smiling, cropped at the hip, rendered in pale blue and cream geometric planes with warm flesh tones