Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in angular red color planes with cubist geometry
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in stark black and white with bold architectural shadows
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in warm gold halftone dots with bold white cutout shapes
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in high-contrast crumpled paper texture with bold graphic shadows
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in warm ivory tones with ghosted figures drifting through the background
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in creamy marble tones with bold red, blue, and gold splashes
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in thick impasto with cobalt depths and explosive golden light
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in bold, unified brushwork of cool blue-grey and white
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait of a subject eyed averted with arms behind, nude, arms behind, tight cropping, rendered in bold crimson-rose lines on near-white with graphic fashion illustration confidence