Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, bold angular planes in warm reds, cubist faceting of form
Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, in decisive graphic planes of red and white, black-outlined and boldly fragmented
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, etching-style crosshatch traces every contour with obsessive, engraving-like intensity
Pale lilac and warm yellow with tall vertical brushstroke forms filling the background. The figure is rendered in golden flesh tones against the soft luminous surround. Light and airy with a distinctive period colour sensibility.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, pale lilac ground and golden flesh tones with tall expressive brushwork
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, quietly decorative style with fluid organic motifs in terracotta against a near-white surround
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, soft stippled halftone feel in blush and cream, delicate and print-like
Deep teal and pale ice blue in large swooping curved geometric planes. Figure integrates into the geometry in matching teal tones — bold and unified. Confident and striking — one of the more elegant geometric styles in this range. Cool and immediately commanding.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, striking geometric style with swooping planes in deep teal and pale blue
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, sharp alpine geometry in dark silver and blue, contrasting with richly painted warm tones
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, shattered into towering angular planes of cream and red-brown, cubist and architecturally imposing
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, pale blue ground, strong contour line and warm flesh tones in classical figure style
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, airy and spacious, warm taupe and blue-grey forms drifting freely on a near-white ground
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, statement jewlry, smiling, traditional bust cropping, in a crisp graphic style, warm tones contrasting a cool grey-white stone wall