Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in angular red color planes with cubist geometry
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Cool green-grey with rounded boulder-like forms in the background. Similar to Aged Plaster but cooler and less weighty. The figure feels embedded in the stone surface.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in cool grey-green with smooth, weathered stone texture
Cool blue-purple ground with fragmented cream and gold shapes behind a confident figure. Background generates a broken tile or stained glass quality. Bold and slightly psychedelic in register. Figure holds coherence against the fractured surround.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in fractured blue-violet and gold, like shattered stained glass
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in cool blues and taupe with angular stone-like geometry and a classical arched border
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in creamy marble tones with bold red, blue, and gold splashes
Cool ashen blue-grey forms churn through the background in loose gestural marks — chaotic and atmospheric. Figure painted in warm flesh tones against the turbulent cool surround. The background energy dwarfs the figure.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, in loose gestural brushwork with cool ashen blues swirling around warm flesh tones
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, smiling, traditional bust cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice