Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Kneeling, eyes closed, kneeling, nude, tight cropping, warm red cubist fragmentation, faceted planes revealing structure
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Kneeling, eyes closed, kneeling, nude, tight cropping, high-contrast charcoal style with expressive storm-like mark-making
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Kneeling, eyes closed, kneeling, nude, tight cropping, high-contrast graphic style, deep shadows framing the composition
Deep blue with sweeping fluid forms that merge completely with the figure. The hair explodes into waves that fill the entire image. Figure and style become one thing.
Kneeling, eyes closed, kneeling, nude, tight cropping, where hair and form become tidal surges of saturated blue abstraction
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Kneeling, eyes closed, kneeling, nude, tight cropping, loose painterly grid of blue and yellow with energetic graphic presence
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Kneeling, eyes closed, kneeling, nude, tight cropping, layered with calligraphic blue-grey inscriptions beneath warm figurative passages
Warm peach gold and dusty mauve fragments spiral behind a coherent figure. Background generates strong rotational energy — almost kaleidoscopic. Figure holds while the surroundings dissolve into motion. Energetic and flattering to warm sources.
Kneeling, eyes closed, kneeling, nude, tight cropping, bold spiral fragments of warm peach and mauve dissolve dynamically around a steady figure
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Kneeling, eyes closed, kneeling, nude, tight cropping, clean graphic figure against fractured stone-like angular planes in pale grey tones
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Kneeling, eyes closed, kneeling, nude, tight cropping, soft cream background with rounded decorative shapes in earthy rust tones, ornamental and warm
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Kneeling, eyes closed, kneeling, nude, tight cropping, rendered in dreamy blue and mauve with crystalline floral forms and glowing warmth
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Kneeling, eyes closed, kneeling, nude, tight cropping, painted with precise crystalline geometry in cool white and warm flesh tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Kneeling, eyes closed, kneeling, nude, tight cropping, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes