Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in angular red color planes with cubist geometry
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in cool grey tones with swirling marks and ghostly layered faces
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Warm flesh tones against a pale blue-white ground with soft swirling organic forms in the background. The figure is rendered with naturalistic painterly modelling. Cool and unhurried with a fresco-like quality.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in cool fresco-like tones with soft swirling forms and painterly naturalism
Pale grey and warm brown with large rounded cloud-like forms filling the background. The figure is naturalistically rendered in warm flesh tones against the soft organic surround. Painterly and warm with a gentle depth to the background.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, painted in warm flesh tones against soft rounded cloud-like forms in pale grey and warm brown
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in thick impasto with cobalt depths and explosive golden light
Cool blue and pale grey with large flowing folded forms filling the background — billowing fabric or soft drapery rendered in fluid organic shapes. Figure painted in warm flesh tones with blue-grey overlay. Lighter and more structured than Ashen Chaos — cool and considered.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, in cool blues and pale grey with billowing draped forms and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, eye contact, nude, smiling, traditional bust cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice