Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait from behind, eye contact, nude, traditional bust cropping, warm red cubist fragmentation, faceted planes revealing structure
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait from behind, eye contact, nude, traditional bust cropping, high-contrast charcoal style with expressive storm-like mark-making
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait from behind, eye contact, nude, traditional bust cropping, soft tactile stonework with embedded, sculpted depth
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait from behind, eye contact, nude, traditional bust cropping, scattered colour patches dissolving figure into ground in cool pink and blue
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait from behind, eye contact, nude, traditional bust cropping, shattered ice facets refracting form into cold angular fragments
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait from behind, eye contact, nude, traditional bust cropping, loose painterly grid of blue and yellow with energetic graphic presence
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait from behind, eye contact, nude, traditional bust cropping, monochrome cubist facets, figure and ground merged in cool grey
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait from behind, eye contact, nude, traditional bust cropping, bold figure repeated in an ordered grid of warm and cool tones, slightly surreal
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait from behind, eye contact, nude, traditional bust cropping, fragmented through crystalline geometric forms in earthy tones, structural and monumental
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait from behind, eye contact, nude, traditional bust cropping, clean decisive linework on azure ground, draped forms in elegant dark outline
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, eye contact, nude, traditional bust cropping, painted with precise crystalline geometry in cool white and warm flesh tones
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait from behind, eye contact, nude, traditional bust cropping, strong contour lines and decisive strokes in crimson on minimal white ground