Bold colour blocks in yellow blue grey and red fill the entire image. The figure reads through the grid rather than in front of it. Energetic and immediate.
Portrait from behind, eye contact, nude, traditional bust cropping, flat planes of yellow, blue, grey, and red fracture and define the form
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait from behind, eye contact, nude, traditional bust cropping, luminous impressionist style with pale floral tones and delicate brushwork
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait from behind, eye contact, nude, traditional bust cropping, scattered colour patches dissolving figure into ground in cool pink and blue
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait from behind, eye contact, nude, traditional bust cropping, precise faceted background in cool quartz-like fragments framing warm flesh tones
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait from behind, eye contact, nude, traditional bust cropping, bold figure repeated in an ordered grid of warm and cool tones, slightly surreal
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait from behind, eye contact, nude, traditional bust cropping, dramatic foil-crush effect with stark black corners and radiating white planes
Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.
Portrait from behind, eye contact, nude, traditional bust cropping, painted with soft rounded cloud shapes in cool blue and white, warm figure against airy ground
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Portrait from behind, eye contact, nude, traditional bust cropping, geometric fractured planes in muted blue and taupe, framed by a precise architectural arch
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait from behind, eye contact, nude, traditional bust cropping, clean decisive linework on azure ground, draped forms in elegant dark outline
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, eye contact, nude, traditional bust cropping, painted with precise crystalline geometry in cool white and warm flesh tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait from behind, eye contact, nude, traditional bust cropping, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes
Rich teal-green ground with large flowing organic planes in pale cream and white sweeping around the figure like unfurling tropical leaves or petals. Deep teal shadows define the forms. Figure painted in warm flesh tones against the cool botanical ground. Fluid and lush.
Portrait from behind, eye contact, nude, traditional bust cropping, rendered in fluid organic planes of deep teal and pale cream