Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in fractured geometric planes of cool blue, crystalline and sharp
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in faceted grey geometric planes, angular and precise
Fine mosaic tessera texture over pale grey-white stone forms flanking the figure. The surface maps figure and background in the same fragmented material. Cool and tactile with an archaeological quality.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in ancient mosaic tesserae, cool stone fragments piecing form from background
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait from behind, eye contact, nude, smiling, tight cropping, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Cool blue and pale grey with large flowing folded forms filling the background — billowing fabric or soft drapery rendered in fluid organic shapes. Figure painted in warm flesh tones with blue-grey overlay. Lighter and more structured than Ashen Chaos — cool and considered.
Portrait from behind, eye contact, nude, smiling, tight cropping, in cool blues and pale grey with billowing draped forms and warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice
Rich teal-green ground with large flowing organic planes in pale cream and white sweeping around the figure like unfurling tropical leaves or petals. Deep teal shadows define the forms. Figure painted in warm flesh tones against the cool botanical ground. Fluid and lush.
Portrait from behind, eye contact, nude, smiling, tight cropping, in a lush tropical palette of teal, cream, and warm flesh tones