Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, bold angular planes in warm reds, cubist faceting of form
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, powerful dark-ground graphite technique with bold gestural strokes
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, etching-style crosshatch traces every contour with obsessive, engraving-like intensity
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Cool grey-brown with tall dark arched panels flanking the figure. The panels carry circular rivet-like forms giving the background a strong industrial character. Stark and architectural with a mechanical edge.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, cool grey-brown tones, tall riveted panels, stark geometric industrial aesthetic
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, shattered into towering angular planes of cream and red-brown, cubist and architecturally imposing
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, muted watercolour ground with dark looming corners and blush accents
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, pale blue ground, strong contour line and warm flesh tones in classical figure style
Figure rendered in flat orange-red against a pale grey-cream background of fine-line panelled detail suggesting newsprint or comic strip. Large dark orange-red circular forms sweep in from the sides. Graphic and immediate with a pop art edge.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, in flat graphic pop art style evoking vintage newsprint and comic strip panels
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Rich teal-green ground with large flowing organic planes in pale cream and white sweeping around the figure like unfurling tropical leaves or petals. Deep teal shadows define the forms. Figure painted in warm flesh tones against the cool botanical ground. Fluid and lush.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, painted with sweeping botanical forms in cool teal and warm ivory
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait from behind, eye contact, nude, arms behind, smiling, traditional bust cropping, fashion illustration style with bold rose-red outlines and authoritative graphic line work