Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in pale grey and white with warm red accents and soft angular shapes
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, painted in soft impressionist strokes of blush, sage, and sky
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Cool grey with large weathered plaster forms and dark patches filling the background. The figure is warmly rendered against a worn derelict surround. Painterly and atmospheric with a genuine urban quality.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, in cool grey tones with weathered plaster textures and warm painterly brushwork
Warm cream and pale blue with large flowing draped forms filling the background. The figure is naturalistically rendered in warm flesh tones against the sculptural surround. Calm and considered with a classical drapery quality.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, in warm cream and pale blue with flowing classical drapery
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool blue silver and white with tall draped figurative forms flanking the central figure — statuesque sentinels in pale marble tones. Figure stands between the cool pale presences. Elegant and ceremonial rather than threatening. Classical in feel with a distinctive flanking composition.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in cool marble tones with statuesque flanking figures in classical composition
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in warm cubist facets of cream, taupe, and deep red-brown with bold architectural planes
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait from behind, diverted eyes, nude, arms behind, traditional bust cropping, rendered in swirling dark marble veining against a pale luminous ground