Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in angular red color planes with cubist geometry
Clean pencil sketch with swirling organic forms in the background. Adds draftsmanship without imposing character.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in clean pencil sketch with flowing organic linework in the background
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in faceted grey geometric planes, angular and precise
Cool grey-brown with tall dark arched panels flanking the figure. The panels carry circular rivet-like forms giving the background a strong industrial character. Stark and architectural with a mechanical edge.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in stark industrial tones with riveted arched panels and cool grey-brown palette
Pale lavender and cool grey with tall vertical forms and ghostly figurative shapes emerging from the background. The figure stands in a softly haunted interior. Atmospheric and slightly unsettling with a delicate palette.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in pale lavender and cool grey with ghostly figures dissolving into mist
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in high-contrast crumpled paper texture with bold graphic shadows
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in cool blues and warm painterly strokes with vignette framing
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Deep crimson and burgundy geometric planes sweep through the background in large bold angular forms. Figure rendered in pale white-grey tones against the rich red surround. Dramatic and saturated — the red commands the image. Architectural but warm-blooded.
Portrait from behind, eye contact, nude, smiling, tight cropping, in bold geometric planes of deep crimson and cool grey
Deep navy terracotta-red and pale blue-grey rectangular blocks arranged in a stark architectural composition. Figure painted naturalistically in warm flesh tones against the hard-edged colour field. Modernist and uncompromising — colour as architecture.
Portrait from behind, eye contact, nude, smiling, tight cropping, in bold geometric color fields with hard-edged modernist precision
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, eye contact, nude, smiling, tight cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice