Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Kneeling nude with her back to the canvas and her face angled, bold angular planes in warm reds, cubist faceting of form
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Kneeling nude with her back to the canvas and her face angled, stark monochrome with controlled shadow and geometric structure
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Kneeling nude with her back to the canvas and her face angled, painterly and expressive, thick impasto in soft golds and faded pinks
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Kneeling nude with her back to the canvas and her face angled, cubist planes of glacial blue splinter the figure into icy geometry
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Kneeling nude with her back to the canvas and her face angled, strict angular planes, no colour, figure folded into geometric surfaces
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Kneeling nude with her back to the canvas and her face angled, intricate dotwork texture in honey and brown, white shapes emergent
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Kneeling nude with her back to the canvas and her face angled, oil-painted realism with jagged stone textures, cool grey palette warmed by natural flesh tones
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Kneeling nude with her back to the canvas and her face angled, pale, structural rendering with angular faceted planes and sharp geometric precision
Warm coral and peach collage fragments arranged in large diamond shapes suggest a torn-up pastel townscape — sun-bleached buildings seen from above or in elevation. Figure stands in front of the fragmented architecture against cool blue gaps. Tactile and sun-warmed.
Kneeling nude with her back to the canvas and her face angled, in sun-warmed collage style, fragmented coral and peach shapes against cool blue space
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Kneeling nude with her back to the canvas and her face angled, pale blue ground, strong contour line and warm flesh tones in classical figure style
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Kneeling nude with her back to the canvas and her face angled, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Kneeling nude with her back to the canvas and her face angled, dramatic marbled contrasts with sweeping dark forms and glowing pale center