Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Figure caught in a mirror, eye contact, nude, loose impressionist technique, glowing with pinks, greens, and blues
Cool grey crosshatch and gestural marks fill the background with organic forms emerging from the surface. The figure is sketched rather than rendered with loose confident line. Immediate and alive with a life-drawing energy.
Figure caught in a mirror, eye contact, nude, sketched with raw confident strokes and organic crosshatch texture
Pale lavender and cool grey with tall vertical forms and ghostly figurative shapes emerging from the background. The figure stands in a softly haunted interior. Atmospheric and slightly unsettling with a delicate palette.
Figure caught in a mirror, eye contact, nude, atmospheric figurative work in spectral lavender and grey, forms half-dissolved in shadow
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Figure caught in a mirror, eye contact, nude, cool analytical cubism with monochrome planes broken by warm skin tones beneath a rounded arch
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Figure caught in a mirror, eye contact, nude, sharp print-like treatment with warm figure against intense geometric shadow play
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Figure caught in a mirror, eye contact, nude, surreal warm-toned figuration with echoed body shapes and enveloping shadow surround
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Figure caught in a mirror, eye contact, nude, sharp alpine geometry in dark silver and blue, contrasting with richly painted warm tones
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Figure caught in a mirror, eye contact, nude, shattered into towering angular planes of cream and red-brown, cubist and architecturally imposing
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Figure caught in a mirror, eye contact, nude, theatrical oil painting style with stormy cobalt and bursting warm gold
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Figure caught in a mirror, eye contact, nude, muted watercolour ground with dark looming corners and blush accents
Near-white ground with soft grey washes and dark charcoal angular marks suggesting cracked tile or broken mosaic. Figure rendered in warm flesh tones that barely hold against the pale surround. Delicate and elusive — the image feels like it is in the process of disappearing.
Figure caught in a mirror, eye contact, nude, delicate charcoal marks and warm tones receding into near-white
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Figure caught in a mirror, eye contact, nude, delicate icy facets of blue-grey white and cream against a crushed-paper ground