Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Glamour nude of woman in combat boots sitting on open stairs, rendered in warm sandy stone tones with rounded, cobbled texture
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Glamour nude of woman in combat boots sitting on open stairs, rendered in cool grey tones with soft rounded boulder forms
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Glamour nude of woman in combat boots sitting on open stairs, rendered in soft painterly greys with sculptural stone textures
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Glamour nude of woman in combat boots sitting on open stairs, in pale white and cool grey, soft organic forms emerging from an atmospheric painterly ground
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Glamour nude of woman in combat boots sitting on open stairs, rendered in pale fractured plaster, cool shadows adding sculptural depth
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Glamour nude of woman in combat boots sitting on open stairs, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Glamour nude of woman in combat boots sitting on open stairs, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Deep cobalt blue organic forms and warm cream masses fill the background in bold painterly strokes. Figure rendered in warm flesh tones against the strong blue and cream surround. The blue forms have genuine weight and presence — geological and imposing. Blue border frames the composition.
Glamour nude of woman in combat boots sitting on open stairs, in a bold painterly style with deep cobalt and warm cream strokes
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Glamour nude of woman in combat boots sitting on open stairs, rendered in thick impasto oils with swirling brocade florals in warm cream and flesh tones
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Glamour nude of woman in combat boots sitting on open stairs, rendered in luminous whites with dark tendril marks and warm flesh tones
Warm rose-pink cream and ochre impasto with large rounded floral forms filling the background in thick generous brushwork. Figure merges warmly with the rosy surround. The muted unsaturated tones read as autumn rather than high summer — abundant but cooling.
Glamour nude of woman in combat boots sitting on open stairs, in warm rose, cream, and ochre impasto with thick generous brushwork
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Glamour nude of woman in combat boots sitting on open stairs, rendered in thick impasto with rounded organic forms in cream, gold, and soft teal-grey