Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Nude ballerina doing arabesque, rendered in angular red color planes with cubist geometry
Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Nude ballerina doing arabesque, rendered in pale grey and white with warm red accents and soft angular shapes
Pale ground with bold simplified planes and swirling organic forms in the background. The figure becomes sculptural. Clean and immediate.
Nude ballerina doing arabesque, rendered in bold simplified planes with swirling organic forms on a pale ground
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Nude ballerina doing arabesque, rendered in cool grey tones with swirling marks and ghostly layered faces
Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Nude ballerina doing arabesque, in warm painterly tones against cool grey-blue stone
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Nude ballerina doing arabesque, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Pale lilac and warm yellow with tall vertical brushstroke forms filling the background. The figure is rendered in golden flesh tones against the soft luminous surround. Light and airy with a distinctive period colour sensibility.
Nude ballerina doing arabesque, in a palette of lilac and gold with sweeping vertical brushstrokes
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Nude ballerina doing arabesque, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Cool blue-grey and warm ochre-gold impasto with large diagonal brushstrokes creating a herringbone pattern across the entire surface. Figure and background unified in the same energetic mark-making. Flattering and enveloping — this style wraps its subject in warmth and movement.
Nude ballerina doing arabesque, rendered in thick impasto strokes of blue-grey and ochre in a sweeping herringbone pattern
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Nude ballerina doing arabesque, rendered in bold, unified brushwork of cool blue-grey and white
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Nude ballerina doing arabesque, rendered in swirling dark marble veining against a pale luminous ground
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Nude ballerina doing arabesque, rendered in pale washes with drifting cool and warm fragments on an open white ground