Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in warm earth tones with painterly classical technique
Rich charcoal tones blending from deep black into pale white through smudge and atmosphere. The figure emerges from the ground rather than sitting on it. Dramatic but still.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in deep charcoal with atmospheric smudging and stark tonal contrast
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in warm sandy stone tones with rounded, cobbled texture
Warm pink and mauve with large rounded boulder forms filling the background. The figure is naturalistically rendered and pops with sharp presence against the soft stone surround. Painterly and warm with a grotto-like depth to the background.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, painted in warm pink and mauve tones with soft rounded stone forms receding into grotto-like depth
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, in pale white and cool grey, soft organic forms emerging from an atmospheric painterly ground
Warm golden-ochre with tall dark ornate column forms flanking the figure. The figure is rendered in luminous warm tones against the architectural surround. Rich and structured with a classical grandeur.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, painted in warm ochre and gold tones with ornate classical columns
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in swirling teal and blue with fluid vortex energy and a dark framing border
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in thick impasto with cobalt depths and explosive golden light
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in luminous whites with dark tendril marks and warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Figure sitting, modest pose, downcast eyes, lingerie, arms playing a vital role, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice