Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Nude woman from behind at the lake, cool grey tones, loose brushwork, monumental rock forms softly rendered
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Nude woman from behind at the lake, shattered ice facets refracting form into cold angular fragments
Cool silver and white impasto on a near-black ground. Bold painterly strokes carve the figure from darkness with monumental conviction. The background generates a deep black void with faint reflected light at the base.
Nude woman from behind at the lake, painted with monumental conviction in cool tones carved from deep darkness
Deep navy blue with large pale boulder forms flanking the figure. Warm flesh tones pop sharply against the cool dark surround. Painterly and dramatic with a strong warm-cool contrast.
Nude woman from behind at the lake, cool dark blues frame warm flesh tones in expressive painterly style
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Nude woman from behind at the lake, soft tactile weave of pale pink and cream, organic forms rippling through figure and ground
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Nude woman from behind at the lake, painted against pearlescent draped fabric in blues and silver with luminous warmth
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Nude woman from behind at the lake, in cool oceanic blues with rotating organic forms and warm figure contrast
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Nude woman from behind at the lake, rich textured paint surface, loose energetic strokes in warm plum and blue throughout
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Nude woman from behind at the lake, built from energetic colour planes like a sun-drenched tile market
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Nude woman from behind at the lake, angular blocks of cool light and warm figure, bright and airy
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Nude woman from behind at the lake, painted in hot fauvist tones where figure dissolves into blazing streaked color fields
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Nude woman from behind at the lake, rendered with clean outlines and flat pale architectural stonework behind