Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Candid, sitting nude undressing, rendered in cool grey tones with swirling marks and ghostly layered faces
Cool blue-grey sculptural rendering on a near-black ground. The background generates stone-like forms with ghostly face shapes embedded in the surround. Spare and quietly unsettling.
Candid, sitting nude undressing, rendered in cool blue-grey tones against near-black, with stone-like forms emerging from shadow
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Candid, sitting nude undressing, in bold ink outline and flat rose-pink shadow fills against pale grey
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Candid, sitting nude undressing, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Candid, sitting nude undressing, rendered in warm ivory tones with ghosted figures drifting through the background
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Candid, sitting nude undressing, rendered in swirling teal and blue with fluid vortex energy and a dark framing border
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Candid, sitting nude undressing, rendered in thick impasto with cobalt depths and explosive golden light
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Candid, sitting nude undressing, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Candid, sitting nude undressing, rendered in thick impasto with plum-mauve and cool blue, brushwork unifying figure and ground
Deep navy terracotta-red and pale blue-grey rectangular blocks arranged in a stark architectural composition. Figure painted naturalistically in warm flesh tones against the hard-edged colour field. Modernist and uncompromising — colour as architecture.
Candid, sitting nude undressing, in bold geometric color fields with hard-edged modernist precision
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Candid, sitting nude undressing, rendered in pale blue and cream geometric planes with warm flesh tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Candid, sitting nude undressing, rendered in bold, unified brushwork of cool blue-grey and white