High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Silly standing nude in profile posing for the image, high-contrast graphic style, deep shadows framing the composition
Rich charcoal tones blending from deep black into pale white through smudge and atmosphere. The figure emerges from the ground rather than sitting on it. Dramatic but still.
Silly standing nude in profile posing for the image, charcoal drawing with smoky gradients dissolving figure into shadow and light
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Silly standing nude in profile posing for the image, soft tactile stonework with embedded, sculpted depth
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Silly standing nude in profile posing for the image, large smooth rock shapes receding behind a foregrounded figure
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Silly standing nude in profile posing for the image, shattered ice facets refracting form into cold angular fragments
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Silly standing nude in profile posing for the image, rendered in raw textural strokes with muted blue-grey and brown tones
Warm flesh and terracotta tones with ghosted figurative forms flanking the central figure. Background generates a crowd of pale sculptural presences in warm clay and soft blue. Painterly and classical in register. Figure stands before what feels like an audience of forms.
Silly standing nude in profile posing for the image, painterly classical style with pale sculptural crowd forms in soft blue and ochre
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Silly standing nude in profile posing for the image, soft cream background with rounded decorative shapes in earthy rust tones, ornamental and warm
Pale blue and cream ground with bold sweeping dark ribbon-like forms cutting through the background. Figure is warm and confident against the dynamic surround. Brushwork is muscular and fluid — the background has genuine movement and force. Energetic and painterly.
Silly standing nude in profile posing for the image, muscular fluid painting, dynamic dark strokes cutting through pale cool background
Near-black ground with slashing crimson and deep red forms flanking the figure. Figure is pale and exposed against the dark threatening surround. Darker and more menacing than Crimson Stage — the black dominates with red as accent. Dramatic and confrontational.
Silly standing nude in profile posing for the image, stark pale figure exposed against dominating black ground with deep red forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Silly standing nude in profile posing for the image, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Silly standing nude in profile posing for the image, with turbulent gestural marks in cool greys and dramatic crimson