Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in soft painterly greys with sculptural stone textures
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in warm flesh tones against cool architectural grey, painterly and monumental
Warm cream and pale blue with large flowing draped forms filling the background. The figure is naturalistically rendered in warm flesh tones against the sculptural surround. Calm and considered with a classical drapery quality.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, in warm cream and pale blue with flowing classical drapery
Deep cobalt blue borders frame a cool interior of angular rock or ice forms in blue and white. Figure is warm against the cold stone surround. Painterly and dramatic rather than photographic. The cobalt frame gives this style a distinctive compositional signature.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in deep cobalt-framed painterly blues with angular ice-like forms
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Cool cerulean blue and cream in large flat geometric planes. Figure is warm against the cool blue geometry — a clean warm-cool contrast. Elegant and graphic rather than sensuous. Background generates smooth rounded geometric forms in deep and pale blue.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in flat cerulean and cream geometric planes with clean warm-cool contrast
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in moody oils with glowing pale stone against deep charcoal and purple
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in deep shadow with luminous violet-grey orbs and teal-edged highlights
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in luminous whites with dark tendril marks and warm flesh tones
Warm rose-pink cream and ochre impasto with large rounded floral forms filling the background in thick generous brushwork. Figure merges warmly with the rosy surround. The muted unsaturated tones read as autumn rather than high summer — abundant but cooling.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, in warm rose, cream, and ochre impasto with thick generous brushwork
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Partially dressed figure kneeling/crouching, eye contact, high heels, modest, rendered in dense impasto strokes of grey-white and deep burgundy