Warm pinks and rose with large painterly forms flanking the figure. Rich and sensuous. The figure feels present and inhabited.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in lush rose tones with bold, gestural brushwork
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in warm ochre and stone hues with architectural framing
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in cool grey tones with glowing teal-cyan contour lines
Cool grey crosshatch and gestural marks fill the background with organic forms emerging from the surface. The figure is sketched rather than rendered with loose confident line. Immediate and alive with a life-drawing energy.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, in loose gestural charcoal with expressive crosshatching
Pale white and cool grey with soft organic forms emerging from the background. The figure is warmly rendered against the ghostly painterly surround. Atmospheric and painterly with a dreamy quality to the open space.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, in pale white and cool grey, soft organic forms emerging from an atmospheric painterly ground
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, painted in warm flesh tones set against cool grey fractured stone, naturalistic and raw
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in thick impasto with cobalt depths and explosive golden light
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Partially dressed figure kneeling/crouching, eye contact, high heels, arms playing a vital role, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice