Cool grey with a prominent marble or stone form behind the figure. Elegant and architectural. The figure is framed rather than consumed by the background.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in cool grey tones with architectural marble framing the composition
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in cool grey tones with soft rounded boulder forms
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in soft painterly greys with sculptural stone textures
Warm flesh tones with strong painterly modelling against a cool teal-grey ground. The background generates a bold white cloud-like or glacial mass behind the figure. High contrast and corporeal with a sense of cool open light.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in warm oils with bold painterly modelling against a cool teal-grey ground
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in faceted grey geometric planes, angular and precise
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in warm flesh tones against cool architectural grey, painterly and monumental
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, painted in warm flesh tones set against cool grey fractured stone, naturalistic and raw
Cool ash-grey throughout with large angular rock forms flanking the figure. The flesh tones are drained to near-silver with little warmth anywhere. Spare and cool with a monumental stillness.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in cool ash-grey tones with angular monumental forms
Warm cream and pale pink with tall flowing organic forms filling the background. A fine woven texture maps figure and ground throughout. Warm and tactile with a gentle flowing quality.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in warm cream and blush tones with tall flowing organic shapes and woven texture
Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in cool blue-grey cubist planes with warm flesh tones as the sole contrast
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Figure facing away, eyes not visible, nude, arms playing a vital role, somewhat risqué, rendered in thick impasto with rounded organic forms in cream, gold, and soft teal-grey