Dark grey with cave-like grotto forms in the background. Hints of pink and mauve bleed through the stone texture. Cooler and moodier than Cool Slate.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in shadowy grotto tones with bleeding mauve and pink through dark stone
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Full length standing partially clothed figure, downcast eyes, street clothes, painted in soft impressionist strokes of blush, sage, and sky
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in warm sandy stone tones with rounded, cobbled texture
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in soft painterly greys with sculptural stone textures
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in fractured geometric planes of cool blue, crystalline and sharp
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in warm flesh tones against cool architectural grey, painterly and monumental
Deep teal-blue flanking forms cradle a pale billowing centre with the figure rendered in warm flesh tones. The contrast between cool surround and luminous centre gives the image a soft dream-like quality. Painterly and immediate with a cinematic warmth.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in painterly teal and warm flesh tones with a luminous, dreaming centre
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Full length standing partially clothed figure, downcast eyes, street clothes, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in luminous whites with dark tendril marks and warm flesh tones
Deep cobalt and violet-blue ground with large rounded organic forms in cream warm taupe and pale gold massed behind the figure like oversized cloud shapes. Figure painted in warm flesh tones with confident impasto marks. Rich saturated and sculptural.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in deep cobalt and violet with creamy impasto organic forms
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Full length standing partially clothed figure, downcast eyes, street clothes, rendered in bold, unified brushwork of cool blue-grey and white