Rich dark red floral forms fill the background with the figure rendered in warm flesh tones against them. Lush and decorative. The background has real depth and complexity.
Studio standing nude with her arms pulled up to her neck, rendered in rich decorative style with deep crimson botanicals and glowing flesh tones
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Studio standing nude with her arms pulled up to her neck, soft ethereal style with phantom presences emerging from pale, diffused grounds
Soft mauve and dusty pink with large rounded stone forms filling the background. The figure is warm-toned against a cool muted surround. The background generates a gentle grotto of pale organic shapes.
Studio standing nude with her arms pulled up to her neck, pale organic shapes form a gentle grotto of cool muted tones behind a warm figure
Warm sepia and grey-brown tones over a heavily layered textured surface. The background generates dark flanking forms that read like weathered or torn paper. The figure feels retrieved from an aged document rather than a contemporary image.
Studio standing nude with her arms pulled up to her neck, aged document aesthetic with dark flanking forms and weathered paper surfaces
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Studio standing nude with her arms pulled up to her neck, high-key warm white forms with bleached stone texture and cool shadow relief
Cool ash-grey throughout with large angular rock forms flanking the figure. The flesh tones are drained to near-silver with little warmth anywhere. Spare and cool with a monumental stillness.
Studio standing nude with her arms pulled up to her neck, silver-drained palette with stark geometric rock structures and glacial stillness
Dark blue-grey ground with large pale peach and cream cloud-like forms rising behind the figure. The figure is warmly rendered in flesh tones against the cool dark surround. Painterly and dramatic with a strong light-dark contrast.
Studio standing nude with her arms pulled up to her neck, dramatic tonal contrast, pale cloud forms rising from a cool dark ground
Pale blue and cream ground with bold sweeping dark ribbon-like forms cutting through the background. Figure is warm and confident against the dynamic surround. Brushwork is muscular and fluid — the background has genuine movement and force. Energetic and painterly.
Studio standing nude with her arms pulled up to her neck, muscular fluid painting, dynamic dark strokes cutting through pale cool background
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Studio standing nude with her arms pulled up to her neck, cool glowing masses float in near-black space with warm figure contrast
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Studio standing nude with her arms pulled up to her neck, silkscreen-like, colour barely arrived, delicate and unresolved
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Studio standing nude with her arms pulled up to her neck, painted with merging warm tones and heavy brushwork evoking ornate upholstered comfort
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Studio standing nude with her arms pulled up to her neck, painted with sculptural weight, lush brushwork, and a warm palette of cream, gold, and teal