Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in angular red color planes with cubist geometry
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, painted in soft impressionist strokes of blush, sage, and sky
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in warm sandy stone tones with rounded, cobbled texture
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in warm impasto strokes of muted gold, blue, and pink
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in faceted grey geometric planes, angular and precise
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in pale fractured plaster, cool shadows adding sculptural depth
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in high-contrast crumpled paper texture with bold graphic shadows
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in cool blues and warm painterly strokes with vignette framing
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Figure caught in a mirror, eye contact, nude, arms playing a vital role, modest, rendered in bold dark contour line on pale blue ground with warm flesh tones